Adi had a much clearer vision where he was going with it and what he wanted to say in it. Shah Rukh Khan:Р’В It was a set of friends just having fun.with the material. Chopra, РІР‚СљCan I use their real names in the movie?РІР‚Сњ And when Raj is saying, РІР‚СљI just failed,РІР‚Сњ and I introduce him to our РІР‚СљancestorsРІР‚Сњ in paintings on the wall, that was similar to my own family.My own uncle had failed in 7th/8th grade. When we sort of clap hands and do gibberish words with each other, I invented those words on the set. Even the flower that sprays water on KajolРІР‚в„ўs face, we hadnРІР‚в„ўt told her what would happen.Р”Р„nupam Kher:Р’В ThatРІР‚в„ўs one thing that is fantastic about Shah Rukh: He is a very affectionate, easy person. It is a call for pigeons I had heard in Delhi, so I added it. And we had this really funny scene where we are both awkwardly going РІР‚Сљaao, aaoРІР‚СњР’В to the pigeons. There was this scene with Amrish Puri where he was feeding the pigeons. Shah Rukh Khan:Р’В There were several improv moments. I donРІР‚в„ўt know what itРІР‚в„ўs like to get drunk. I donРІР‚в„ўt believe this myself.РІР‚Сњ Because IРІР‚в„ўm a complete teetotaler. There was no part that I heard that I did not feel completely there, and present, and completely part of the film.There is one song where I wasnРІР‚в„ўt sure about how it would be taken on screen: РІР‚СљZara Sa Jhoom Loon Main.РІР‚Сњ I didnРІР‚в„ўt think I looked drunk at all, and I was like, РІР‚СљThis is not gonna work. Kajol:Р’В I loved the script, from beginning to end. very intelligently represented NRIs and Londoners and the typical Punjabi. respected the girl andР’В her parents, especially her father.

But here, the boy was a very idealistic person. , it was a typical Romeo and JulietР’В concept: The parents arenРІР‚в„ўt happy with who you are the world wanted to be united, and the so-called РІР‚Сљforces against youРІР‚Сњ were the parents.

(Image credit: Yash Raj Productions) The script: Aditya Chopra quite literally rewrote the Hindi rom-com with a unique screenplay that challenged Bollywood stereotypes and the meaning of happily-ever-after.Р”Р„nupam KherР’В (supporting actor, Dharamvir Malhotra): The script was very, very fresh. It doesnРІР‚в„ўt mean weРІР‚в„ўre not desi anymore it doesnРІР‚в„ўt mean that our roots have been severed.РІР‚Сњ And, of course, it works for the people who are still living in India because it reconfirms this is the original land of value and beauty and song and dance and all the rest of it. It appealed to people in the West because all the NRIs felt like РІР‚СљJust because we live here doesnРІР‚в„ўt mean we lost our Indian-ness. A lot of external factors worked for the film: the novelty of a modern rom-com, for example, and liberalization.Р”Р„nupama Chopra:Р’В ItРІР‚в„ўs such a seductive fantasy. Shah Rukh KhanР’В (lead actor, Raj Malhotra): This film came at a time when the audiences were getting more receptive to a story like DDLJР’В and a pairing like mine and KajolРІР‚в„ўs. HereРІР‚в„ўs a guy whoРІР‚в„ўs born and bred in the U.K., and yet he turns out to be more Hindustani than the guy who was raised in Punjab. HereРІР‚в„ўs a guy whoРІР‚в„ўs obviously flirtatious. And here was this film that completely turned this on its head, because hereРІР‚в„ўs a guy who is buying beer in the first few minutes of the film. In films like Purab Aur PaschimР’В or Des Pardes,Р’В it was the person from India who showed the Indian in the West what Indian values were. ThatРІР‚в„ўs a tough one to getР’В because you are trying to make the characters a bit real, which was a new thing, which Aditya Chopra started.Р”Р„nupama Chopra:Р’В Traditionally, the West had been portrayed as a sort of decadent hotbed of sin in Hindi movies. Manish MalhotraР’В (costume designer): There was a lot of glamour.

Sharmistha RoyР’В (art director): This wasnРІР‚в„ўt any part of our Indian genre, in terms of visuals.

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